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Bracelet: Tri-po

Finished another bracelet that I've been wanting to do for some time.
I've been wanting to use cube beads and use brick stitch, since I think those two are a great combination together.
So last week when my order of 20g of 4mm black opaque and 20g of 4mm red opaque AB cube beads arrived I decided on making this one.

Now, I were wondering a bit over the design on how to make it a bit more special, and then it hit me to make a set of different pyramid units and then stitch 'em together overlapping the space, so the bracelet still would follow a straight line.
I do remember that I've seen this particular design a bit here and there on the web, so, no it's not my original idea :)

For the clasp I decided on just adding a pair of 8mm black glass pearls on the top and the bottom of one side, and then on the opposite side a pair of loops where the glass pearls would fit into.

I must say that I like the retro sort of style this bracelet brings. And compared to using seed beads the cube beads really makes the bracelet stiff and also thick and also reminds of a cuff when wearing it.
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Bookmark Finding

Yeh, I just couldn't resist to buy one of these cute bookmarks where you attach a bead or whatever to it. The price for the finding is really great and it also look pretty :)

I worked on these cute little shellfishes this weekend just cause of boredom :o
I really liked how this dark blue one turned out so when my bookmark finding arrived this morning I decided on attaching it together with a little heart bead that I randomly had received in a bead mix some time ago.

Isn't it just adorable? :)
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Bracelet: Venus

Last night I managed to figure out what I wanted to do with some 12mm twisted bugle bead in amber with a frosted AB finish.
I managed to figure it out by playing around with some other beads, and some two toned 4mm czech glass beads that I ordered last week.
I thought the combination of amber looked so nice together with the two toned beads I wanted to make something with them.
I ended up making a bracelet using both right angle weave and ladder stitch and some fringing.
I know, it can look like the center parts of the bracelet is made separately but it's made with one single thread.
First I simply started out by picking up two 11/0, one bugle, two 11/0, one 4mm, two 11/0, one bugle, two 11/0 and one 4mm. Then I went back through the beads again until I ended my thread from the second bugle bead on the opposite side of where I first started. Here I picked up three 11/0's and began working my ladder stitch; I went back through the 11/0 I ended my thread from + one of the three 11/0's I just added. And so it progressed until I had a full stripe of two 11/0's, one bugle and two 11/0's. In total I worked my units so that I had 6 rows. Then I began fringing the unit and when that was done I began all over again so that I could make another unit :)

When I had the desired length of my bracelet I added a gold plated toggle clasp ^^;
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Necklace: Amphitrite

I manage to complete the project I've been working with this week on Friday. I know, I know, I'm a bit slow at posting once in a while.

When I were browsing through Marcia DeCoster's book, "Beaded Opulence", I came across a project named "Etruscan Treasure" on page 61 that gave me the idea for this necklace. At least for the pendant itself.

I'm lacking in a lot of things when it comes to this book (the projects in the book calls for a lot of crystals etc.).
And as you can see I attached a paper bead in the chain, where I ended up writing my initials :)
I decided to use the idea of shaping metal wire into a shape that I would bead around later. The instructions in the book called for metal wire in 14gauge? which I don't have, so I decided on using the 20 gauge wire I have and make two identical shapes, and then wire them together with a 24gauge wire so the wire would keep its shape.

I used 11/0 seed beads to the entire piece in navy blue opaque and in bronze.
I also used a 14mm swarovski rivoli in saphire that I've been having laying around for some time. To attach the rivoli in the center I first made some peyote straps on the left and right side, which I embellished with some moonstone chips together with 15/0 bronze seed beads. To make the rivoli sit even sturdier I sew through the top and the bottom of the pendant with some seed beads to the rivoli.
I also embellished the center just above the bail with some seed beads and dagger and drop beads n bronze to personalize it more.

The chain I made with circular herringbone stitch.

This was a christmas present for my mother in law as well :)

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Paper Beads!

I finally received my Diamond Glaze in the mailbox yesterday (actually I had to go to the post office to get the package, but wha-evah :P). I have been planning on making some paper beads since I saw some tutorials on YouTube and that's why I bought some Diamond Glaze :).
To those that doesn't know what Diamond Glaze is, it's a sort of glue that crystallizes the surface they are applied to. It can also be used for some book scrapping or whatever that includes paper. It can be replaced as resin if you want to cover up some pictures or photos in a jewelry setting, since when it's dry it also creates a dome effect.

The tutorials I first saw only showed how to make the beads, and not the strips so I were slightly confused and my brain doesn't really work at the moment with measuring and figuring out stuff where I have to calculate a bunch of shite, lol.
So later I came across this awesome tutorial that showed the whole process from a blank paper to the finish product.
The tutorial is made by "Beyond Bracelet" and can be accessed by clicking here.
She also show how to color the beads yourself if you want any specific color scheme for the paper beads.

For my very first paper beads I decided on recycling. Instead of using fresh white paper I snatched a commercial magazine we've received in the mail some time ago. Then I picked out a page where I liked the colors. My first paper beads ended up being about 2.5cm (1 inch).
After that I wanted to make some that would be smaller. Again I chose to work with the same magazine, I just chose a different page with a different color setting. These ended up being 1.5cm (15mm).

After those, I decided on experimenting a little. I took another commercial magazine, one that was thinner and measured out the size I wanted on the front cover. Then I cut straight through the whole thing. I let each stripe of this magazine still stick together since I wanted to try making some really thick paper beads from them.
The result ended up exactly as I wanted it, and I actually ended up making two of the same.


So what to make with paper beads?

I guess you can do some stringing necklaces or bracelet with 'em. I suppose that you'll also feel a bit awesome, specially if you're using old magazines or whatever that would normally go to the trash, since making paper beads is kinda recycling, lawl.
I decided on using the first beads for a simple RAW bracelet with a toggle clasp, crimps, 2 4mm bicones and some 9/0 seed beads. I tried using 11/0 seed beads at first, but the holes in the paper beads were too big and the beads would just end up inside of 'em.

With the two thick paper beads I made, I made a pair of earrings using some 4mm fire polished glass beads in Capri Blue above and below the paper bead since the head of the head-pin was too small.

Next thing I want to try is coloring my own beads from scratch, but I'll post that as soon as they are done, and when I have some more pretty daylight to work with for photos :)
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Season's Greetings


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Bracelet: Indigo

I decided to take a little break from my main project that I'm currently working on and make a little simple bracelet that takes about 1-1.5hour to make.

I got my hands on some new 4mm cube beads that I wanted to do something with. I noticed then that I bought a blue fuchsia lined 1.5mm cube beads as well some time ago. So I had 4mm and 1.5mm cubes of the same color type that I could work with.
I decided on making a cuff like bracelet with elastic in it, so I wouldn't have to bother about ruining the design of what I had in mind by adding some finding to the piece.

I ladder stitched the 4mm cubes on each other until I had seven resting on each other. Then I made five more of these. I had a pattern in mind on how I wanted to string the beads which I wanted in-between the 4mm cube ladders. I used 4mm glass pearls in dark purple,gold lined silver 11/0's, 10mm bugles in gold and at last in the center a 1.5mm cube bead and then repeat the first part again.


I used a big eye needle to get my elastic thread through the 4mm cubes. It makes the stringing a lot easier then if I would just have used the elastic thread on its own (I tried). Alas  I had some problems with the big eye needle and the elastic thread; the big eye needle turned out to be rather sharp on the inside where the thread goes, and as I threaded on bead after bead, after a while the elastic was cut off. I had to move around the elastic in the opening of the big eye needle once in a while to make sure it didn't break that quickly again.

I'm definitely make more of these in the future, since they go fast and ends up looking so cute and shiny depending on what beads you chose :)
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Pendant: RAW heart

I did this piece some time ago, and decided on finish it up yesterday since I finally manage to make up my mind on what I wanted to do with it.
In the end it ended up as a pendant with a chain attached to it, and is now underway to Sweden as a x-mas present for "someone".

The pendant is made with right angle weave. Each side; the front and the back is made separately and then joined together.
I can't quite remember where I found this pattern, cause it's a pattern I used. But if I manage to find it out I'll post it :)

The beads I used were 11/0 seed beads, 4mm violet lustre firepolished beads.

Afterwards I stuffed a handmade head-pin together with some crafting glue inside of the heart, and then I added a jump-ring and attached the piece to a silver-plated copper chain along with a lobster clasp.
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Pendant: Tree of Life

So yeh. I've been in love with these wire wrapped Tree of Life images that is going on around the web - specially in DeviantArt. I've done a really small piece like this before, but I've been feeling that I've wanted to try it again.
This time I went WAY bigger than my first attempt. I haven't really measured the piece, but it's about the size of a palm ( a woman palm, lol).

Last week I ordered some pretty rose quartz chips, which I used together with some white moonstone chips that have been laying around, that I've been using now and then in different projects.

I took some length from a 20 gauge silver-plated copper wire and used a solid round form that I like as a mandrel. Then I used some 24 gauge silver-plated copper wire to make sure the circle would fit. I also used the same 24 gauge wire to make my branches, and I strung the  chips at the top of each branch. When I were happy with how long I wanted each branch I twisted the wires together until they reached the center or base of what would be the tree. When I were satisfied with how I wanted the center, I again separated each of the twisted wires again, and began working them in a way so it would look like tree roots were attached to the bottom of the circle itself.

The second process was slightly painful and annoying, cause the wire would twist pretty much into every direction and sting me, lol. I understand why people work with protective glasses when they work with wire - I wear glasses, but I think those protective glasses would most like have been better, but I can't see a shit without my glasses and I'm not having any lenses at the moment, heh.

After that second precess, I began using some parts of the 24 gauge wire and wrap it around the circle itself, and secure each of the wire at the top and the bottom to make sure they would stay in place.
I added a cute little silver-plated copper chain together with a lobster clasp to make the finished touch.

I would probably work a lot more with wire then what I do at the moment, since I really love working and having contact with metals (besides nickel, cause I'm very allergic to it like a lot of people).
I were browsing the net a couple of nights ago, and metal, specially sterling silver really is way too expensive now days. At the moment I have some copper and aluminum wires hanging around since about a year ago. Al tho copper  is also really expensive at this moment - hopefully the prices will drop one day, heh :P
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Wish List: December

Some lovely orange frosted tila beads from GJBeads.



A gorgeous Golem Studio Ceramic disc pendant from Beadaholique.
This lovely shell carved leaf pendant from E-BEADS.
These gorgeous 5mm purple jade cube beads from Artbeads.com .
These stunning lampwork leaves made by Silvia ArtGLass.

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Necklace: WYB

Yeh, I know... The name I gave this piece is odd, but I couldn't think of anything then white, yellow and black, hence the odd name which is short for the colors, lol.

So the thing with this piece is that I had this palette in mind for some time. The colors hanging loosely but in the same sequence in different strands. That's why I ended up a multi-strand necklace. It's the very first time I make one of these babies, and while I were designing the idea, I were also pondering how I were going to join the strands together smoothly. At first I had an idea of making some bigger pyramids using ladder and brick stitch, where I would attach the strands.

However, the idea quickly turned, and I wanted to try to make a beaded cone, so I did. I made it using herringbone stitch, after looking at some tutorials on how to make those cute flowers using kinda the same technique.

When I completed the cones I picked up some gold-plated head-pins and attached the strands one by one in the eye of the eye-pin. When I had the amount of strands I wanted, and had them attached to two eye-pins, I used some crafting glue and put it around the threads and the eye of the eye-pin so it would be extra secure.
Then I added each strand into the beaded cones I made earlier, and finished each one of them off with a 4mm glass bead and made a wire wrapped loop and attached some gold-plated jump-rings and a gold plated magnetic clasp.

To be honest, this isn't really anything I think I'm gonna be wearing myself. But since the idea and the mental image that I had about this piece kinda haunted me, I knew I just had to go through with it. I picked up some new experiences while making this necklace so I enjoyed it at the same time :)
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Bracelet: Frost Flower

Finally managed to get my fingers out of my ass and tidy up my room, and make it look like a working studio where I can make and design my jewelries.
It's still not 100% completed cause I still need some more furniture to get it as I've imagined :)
At the moment it's 100% possible to work there tho. I got this awesome tool case (or mini tool shelf) from my father-in-law just for the reason so I could store findings, tools, beads etc.

I also received my beads which I got as a present from my lovely bf. I had been longing for this since a while, since I've been having in mind what designs I want to fulfill using the beads I've ordered and now with the awesome work space it's like a dreamland! :D (need to get my hands on a radio tho, it's dead silence like on a graveyard lol).

So, the very first thing I made this Saturday was a little bracelet which kinda speaks "snow" or "winter" about it. It was the idea kinda. The moment I saw the silver lined crystal seed beads I ordered I thought they reminded me of ice. Pure ice.
I also intended on adding simple little leaves in, like fringe, which you can see on the photos. I used double spiral rope stitch to make the base itself of the bracelet, and embellished it with leaf fringes, frosted cube beads with an AB finish, and some 6/0 crystal beads also with an AB finish.
The clasp is only made out of beads. And I made the button using an 8mm glass bead, and then I used circular brick stitch. Instead of making the button only white, I had this image in my head; when it get really cold in northern Sweden you can see this pale pink and light blue colors in the sky. That is what I kinda wanted to embed in the piece.

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Item of the Month: Bead Nabber

I've decided to begin to future an item each month for up to a year. Why? Cause it could be interesting for readers to get a view over how good an item work, and what it is for. The other idea is to get myself to write a lot more then what I've been doing now.
I also have to apology for my absence last month. It's been a bit hectic around here, and I've been having some rheumatic issues in the joint of my fingers, which haven't really made the working easier. They're still coming and going once in a while... I probably have to go and see the doctor if it persists :\

Anyway!

This month's item, and the very first item in this little featuring is a bead nabber. I've been very curious and been wondering if I should get one of these. The reason is that I find it really, really annoying to pick up the beads one by one when the fall all over - I have hyperactive playful kittens in the house that sometimes can sneak onto places they are not allowed on, and make a mess on "sacred" stuff, lol.
The bead nabber is really handy, and makes the bead picking a lot easier and faster then what it normally takes (licking your finger and then pick up the beads, lol... Not the most pleasant thing to do).
This little item is in plastic, with some sticky "stuff" (no idea what it's called in English) on the tip. The idea is that you slide the bead nabber onto your finger of choice so that the sticky thing on the bead nabber kinda ends up on the pointy part of your finger.
The item isn't even that expensive, and I do find the 2€ it costs worth the price.
I bought my bead nabber from GJBeads, but from their Amazon store.

I give this handy little item 4/5 points.
The reason to why it doesn't score a five is that you sometimes have to pick off the beads you pick up with the bead nabber with your fingers since the sticky stuff can be a bit strong.
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Tilas!

Finally I got my guts together and tried out working with those lovely Tila beads from Myuki. I actually only had enough to make a small piece so I decided on a bracelet.

The color I had laying around was a gunmetal (who could have known, right? lol *sarcasm*) in a matte finish. I've been caressing these tila beads for a while since it's the only ones I have in my stash and aprox. 10g (50-60 beads). I got really encouraged in working with tilas, so I'll most likely build up my stash next time with some additional tila beads.

To make this rather simple bracelet I built up the tilas by using lader stitch. I did two separate ones and then I joined them together by adding a 4mm gunmetal bead inbetween. To add some contrast and also some color I added a picot fringe in an 11/0 seed bead mix.
For the closure I added a gunmetal plated chain and some jump-rings together with a silver-plated lobster clasp. At the end of the chain I added a 6mm gunmetal bead for weight measurement.

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Tutorial: Fast Spiral Rope

I have been pondering since a while if I should post a tutorial about speedy spiral rope since I've used it a couple of times. I came up with the idea when I wanted to make an opera length necklace using some triangle beads. When I began making it I noticed that it would take ages to get the length I wanted if I would make it the simple way; add 3 beads, pick up 2 beads and the triangle bead and then go back through the 3 core beads and pick up another core bead etc. (see diagram below).

I'm also working with nymo and it's not as stiff as FireLine or WildFire so I had to pull A LOT on the thread to keep it snug.
I thought the thought; what if I would add all the core beads already on a string, and then work my way through them to make the spiral?
Of course I did so, since it would make sense in my logical universe. Now I decided to share my own thoughts and the idea I had :)

A Spiral Piece without a Clasp

This is the way I made my opera length necklace, but you can use it to make bangles as well, or whatever else when you want a whole piece without adding a closure.

You begin with threading on the amount of beads you want. I recommend a bigger bead like 9/0, 8/0 or even 6/0 depending on how many times you're going through the beads.
For this tutorial I chose 8/0's for core beads and 11/0's for the spiral itself. For my Thorn necklace I used 11/0's for the core and then 15/0's together with the triangle beads for the spiral.

Depending on what size you pick, I also recommend you to change your needle to a size 12 or even a size 13.

When you have the core beads on, you simply join both thread end together by doing some knots - I normally prefer to do a surgeon's knot since it's very secure.
After you secured your thread, pass your needle through a couple of the core beads just to secure it a bit more (can never be too careful).

Now we come to the spiral itself. Pick up the beads you want for your spiral; in this case I picked up five 11/0 seed beads. Then I pass my needle through the three core beads that came behind from where my thread came out BUT I also pass through the core bead that comes in front of where my thread was coming out. So all in all you pass through four beads. (You can click on the photos to make them larger to get more details).




Now that your first part of the spiral is done you simply repeat what you did earlier.
You pass your needle through the three core beads behind from where your thread is coming out, and you also pass through the core bead that is in front if where your thread is coming out - you pass through 4 beads in total.








A spiral rope is about moving forward and making a spiral, but do remember to keep the accent beads lined up after each other so you won't end up with a complete mess.



Spiral Rope Using a Nylon Coated Wire

For my Mechanical Moon piece I also used the fast spiral rope technique, but I used a nylon coated wire to add my core beads on.
The nylon coated wire gives a stiffer feeling and also a stiffer look, and it's secure but you need to crimp it - it's also thick lol. I used a size 12 needle but it would probably work smoother with size 13 or 15 since I sometimes had a problem getting my needle in between the beads, sadly I don't have those needle sizes around heh.

The first thing you do with a nylon coated wire is that you measure the length you want since it's not too cheap - you don't want to use more then what is necessary.
The you pick up a crimp bead/tube and run the wire through it and then through your closure and back through the crimp bead/tube again and crimp it. (For those that doesn't know how to crimp, I'm sorry, but I'm not gonna explain that in this post).

Thread your core beads onto the nylon coated wire until you're happy. Then you just do it as you did earlier but with the opposite part of the closure and then crimp again.










Now we get to making the spiral!
You tie your thread in between the very first core bead and the crimp bead/tube. Do some square knots and some surgeon's knots to make sure the thread will sit there.

If you think it looks ugly with the crimp, just go ahead and use a crimp bead cover.
 Pass your needle through the three core beads in the beginning.

Pick up five 11/0 seed beads.

I'm working with the same pattern again just to show you how I made this. The sequence can be made completely different then this, and with completely different beads as well. Only your imagination sets the limit on this. You can even do a double spiral rope by doing it this way ;)
 Go back to where you came from; three beads back from where your thread is coming out and pass your needle and thread through them and pass your needle also through the core bead that comes after the core bead from where your thread is coming out.
Pull tightly.



Repeat for the next part: Pick up five 11/0's. Pass your needle  through the three beads that comes before where your bead is coming out + the bead that is coming after the bead where your thread is coming out.
In total you should pass through four core beads each time.






Repeat until you're on the other side of the nylon coated wire :)


I hope you enjoyed reading this little tutorial on how to make a fast spiral rope. From my own experiences it saves more then half the time of what it would take to make the spiral rope the traditional way.
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Selling Your Jewelry and Getting the Most For It

Selling Your Jewelry: Triumph or Tragedy?

Which is more fun, getting a root canal, paying your taxes, or selling your jewelry? Not much of a choice, but following is some knowledge that can take the frustration out of selling your jewelry. And answer the hard questions like: Will I receive a fair price for my jewelry? Or did I pay too much?

The two critical areas of knowledge to get the best price for your jewelry are the factors that determine the value of estate jewelry and the options to liquidating it. Does this mean you have to become a gemologist just to sell your jewelry? No. But some homework and note taking can mean a much higher price paid for your jewelry. Let's start with what determines the value of estate jewelry.

Estate is a general term used to describe previously owned. That fact is one of the determining factors. Preowned jewelry by in large is not as valuable as new. Some people will never buy a previous owned engagement set for superstitious reasons. I have had clients who could have saved hundreds of dollars if they would have bought a preowned ring, but refused.

Jewelry is a style driven industry. Some styles are classic and stay around for decades, others last just a few months. Estate jewelry that is out of style can't command premium price. In fact some styles are so out of favor that the jewelry's only value is its intrinsic worth. The other extreme is that the jewelry could be antique. Antique jewelry is highly collectible and may require a specialty option to sell. Knowing if your jewelry is just old and out of style or an antique can mean the difference of hundreds, if not thousands of dollars.

Condition is a major determining factor of the price received for your jewelry. Damaged and broken jewelry many times justify the restoration costs but most of the time damaged jewelry is only valued at its intrinsic worth. Jewelry repair in many instances is counter-intuitive. I have seen jewelry that has been mangled in such a way that the cost of restoration is minor and easily justified. On the other hand what appeared to be an insignificant problem rendered the jewelry unrestorable. Jewelry repair is one area you don't want to be a "do it yourselfer". Let the professionals do it, or it could end up costing you a ton of money.

Worn out jewelry impacts the value. It is a difficult repair to bring life back into a piece of jewelry. Most worn out jewelry is valued at its intrinsic worth.

Jewelry looks it's best when cleaned. Properly clean your jewelry before showing it around. If you do not know the 100% correct way to clean your piece of jewelry let a professional jeweler clean it for you. Some jewelry stores may even clean it for free. Warning: the wrong cleaning can damage and even destroy jewelry. If your are unsure of how to clean the jewelry or gem, let the professionals do it.

Here are some cleaning tips. Never clean gold and gems in chlorine. Ammonia based cleaning products are used throughout the jewelry industry, but they can damage some gems. Try and avoid them if you can and know for certain if they well not hurt the gems in your jewelry. Use a mild soap with warm water and a soft toothbrush, then rinse thoroughly for most jewelry. A hard toothbrush and toothpaste or toothpowder will scratch gold and hurt some gems. The best cleaning tip is to know for certain the best cleaners to use on your jewelry and do it carefully.

The jewelry industry has been recycling for millennia. In fact some of the gold in your jewelry could have been in use since the time of Jesus. Damaged beyond repair jewelry is bought at its intrinsic worth. The intrinsic value is the metal (gold, platinum, silver) price plus any gems. The refining process used to recover the metal utilizes strong chemicals and has strict environmental regulations which impact the price given for metal brought to be recycled.

If you would like to know how to calculate the metal price and do the math read on, if not skip to next paragraph. The formula used to calculate the price is the metal price(the daily spot price) multiplied by purity(the true noble metal content) times weight(can be in ounces, pennyweights or grams). The purity is the karat of gold or percentage of noble metal (gold, platinum, silver). 24 karat is pure. 10 karat is 10/24 or.410 gold and the balance of weight is the alloys. 14 karat is 14/24 or.583 gold and 18 karat is 18/24 or.750 gold. Platinum most of the time is 90% pure and 10% alloy. Silver jewelry is usually sterling, which is.925 pure. The three units of weight used with precious metals are troy ounces, pennyweights, and grams. The troy ounce is equal to 20 pennyweights (dwt) or 31.15 grams. So here is an example; say the spot price of gold is $300 and a 14K ring weighing 10 grams would work out like this. $300 (spot price) X.583 (the fineness of gold) equals $174.90 per ounce divided by 31.15 (troy ounce to gram) equals $5.63 per gram times our ring of 10 grams equals $56.30. Just remember to subtract some refining cost and profit for the dealer and you can find out the intrinsic metal value for your jewelry.

Gems are an important part of jewelry. The estate jewelry value could be 99% determined by the gem. On the other hand the gem could add zero to the value. The two critical factors are the gem itself and the condition. Some gems have a higher value then others. A natural ruby is worth many times more then a synthetic ruby. Diamonds are generally more valuable then amethysts. Knowing your gem's grade and rarity will help with understanding its value. The condition of the gem is critical to the value. Some chips and abrasions can justify the repolishing cost. But in most cases chips and scratches will render the gem unappealing and valueless. Tip: careful handling of jewelry retains a higher value then carelessness.

The overview of the determining factors of estate jewelry is style, condition, and intrinsic worth. Remember you don't get paid for the jewelry in relation to what you paid but the condition and demand when you sell. Clean jewelry shows the item at its best and helps in evaluating the design and gems.

How to find the best way to get the most return for the jewelry?

Selling estate jewelry is the art of compromise. There is a balance between dollar paid and quickness of payment and ease of transaction. If you want the high price, fast and easy, you are dreaming. The higher the price gained from the sale of estate jewelry, the longer the time and more difficult the transaction..

Finding another consumer to buy your jewelry is the most profitable but the most difficult, time consuming and problematic. Walking into a dealer's shop is the easiest and fastest way to sell but you are selling at wholesale or less. Finding the balance is a personal judgement call.

Each method of selling estate jewelry has it strengths and liabilities. Besides the price received for the jewelry, the time investment you have to make to sell the jewelry enters the equation. What are your time and energy worth? I have known people who have driven around town for two days just to make $20 more. Don't over look the ease of transaction. Not all people decide to buy and pay cash on the spot. Some individuals take two or three visits just to make up their mind to buy. There could also be a measure of trust in shipping the jewelry across the country or even a payment plan could be the only way a person could afford your jewelry. The balance of dollar paid versus method of payment can be very tricky.

This list of ways to sell estate jewelry is not exhaustive. Personal creativity can show you the best way to sell your jewelry or one the more traditional methods may work out just fine. Examine your options and evaluate the benefits and drawbacks to find the very best way to sell your estate jewelry.

Auctions are the prestigious way to sell estate jewelry. There is an air of sophistication in liquidating jewelry through a major auction house. The nationally known auction houses like Christie's, Sotheby's and the like have pricey set up costs and standards. High end jewelry is best suited for these auctions. There are many regional and local auction houses that can sell estate jewelry in the mid range. Auctions can be very risky, because the end price is unknown, but the risk can bring a very positive selling price. The keys to selling your estate jewelry at auctions are finding the right house for your particular jewelry, knowing the best time to sell, and luck.

On-line auctions offer a lot of advantages and some risks. On-line auctions like e-bay are auctions conducted over the internet reaching a world wide audience. The cost of selling an item is modest if the object sells. Sales are not guaranteed. Which on line auction to use is a critical choice. The large auctions have many offerings and sales but it is easy to get lost in all that activity. Selecting the best category is another challenge. If you choose a smaller on line auction company, many potential buyers will not find your offering. The decision is best made with research on how your particular type of jewelry was sold. E-mail and ask other sellers if they got the price they wanted and how the selling experience was for them.

The trickiest part of on-line auctions is the actual transaction. Who will trust whom first. Normally the buyer sends funds, then the seller sends the item. The seller must also give a period of time for the buyer to return the item for a full refund. The transaction can be problematic or smooth. May all your experiences be trouble free, but the transaction problems I have tracked seem to run between 20% and 35% of the attempts have problems.

Jewelry brokers offer a professional service for a fee. Think of a jewelry broker as a hired professional working for you against a very sophisticated market like the jewelry industry. Make sure their allegiance is to you alone. Most jewelry brokers are highly trained in gems and jewelry. Jewelry brokers charge a percentage ranging from 10% to 50% depending on the type of service provided. Brokers can assist with a piece going to a top auction house or find a local dealer willing to pay top dollar fast. Some jewelry brokers also act as a dealer and buy out right for an immediate transaction. Jewelry brokers are usually found in major cities and include a jewelry and diamond finding service.

Pawn shops and secondhand dealers are another type of walk-in and sell option. Most work on a cash evaluation of the jewelry. The cash value on most estate jewelry is a percentage of the intrinsic value. The key to understanding this buying environment is the percentage. Some dealers pay close to 90% of the intrinsic value, while others pay as low as 33%. The only way to find the best price is to physically take the jewelry around to a number of shops. Then sell to the shop that offers the best value.

Consignment offers the incentive of a higher price when sold but the draw back of time. No one knows how long it will take or even if it will sell. The stores that offer consignment range from second hand bargain stores to elite jewelry stores. The type of estate jewelry you have dictates which store will attempt to sell your jewelry. If you have a high end piece in excellent condition the elite location could yield a fine return.

Consignment generally consists of a contract for the amount the jewelry will sell for and the percentage the store will keep. Some contracts have a time limit and who is liable if it is lost or damaged. You must know the details of the contract to understand what will and will not happen. Some stores will pay immediately, others pay after a set time or when you call. Find out what the process is if the store closes or moves. Many people have lost track of their jewelry altogether. Understand what the store's liabilities are and yours. Also, find out how the store is going to sell your jewelry. If they will advertise it or just let it sit in a showcase. Make frequent contacts to keep your jewelry in the mind of the salespeople.

Newspapers offer individuals the best chance to sell to a retail customer. The classified shopping consumer, in all likelihood, comparison shops more then anyone else. They know the prices of your jewelry new and will pay a discount for a used article of jewelry. Also realize that the prices asked for in the paper are rarely achieved and do not reveal the true market value. Some times the jewelry is sold for very much less then advertised or never sold at all. But with some safeguards and timing the classified ad is generally one of the highest prices realized for average estate jewelry.

The retail customer is the highest price you could receive for your estate jewelry. The newspaper is one of many ways to reach the buying public with your message to sell. Public bulletin boards offer a inexpensive way to reach people. Look in your community or work place for bulletin boards. On line bulletin boards could also work out if you find the right one. Net working with friends and family might give a lead to someone willing to buy. Creativity is a powerful tool in reaching the public. Use your imagination and think who would be willing to buy my particular estate jewelry and reach out to them.

Safeguards are critical when selling jewelry to the public. First NEVER, NEVER, NEVER, and NEVER meet an unknown buyer in your house. Personal safety and protection against robbery should be your first priority. If you don't have a way to meet the potential buyer at a public place, then do not sell your jewelry to the general public. Meet the buyer in a public place like a restaurant or shopping mall. I suggest the buyer's bank, because if they wish to buy the jewelry they can go and get the cash now and finish the transaction. In addition the bank should have some security if something goes bad.

Fraud should be next on your mind. Cash is the best transaction, checks of all kinds can be faked. Also be aware of switching of jewelry, con men are on the look out for unsuspecting people.

Some other safeguards are notifying someone of the time and place of your meeting. You can even tell them you will call after the meeting just to check in with someone. It is helpful to have a mobile phone. If you have a pager it is a good idea to give that number in the ad. You get a call back number and they can't find your home address. It is also a good idea to go with someone else. I have met people with another person standing in the background just watching. Sometimes con men work in teams and someone looking at the whole situation can see that it is a bad situation in time to help you not get taken.

I'd like to make one final point: most of the world is filled with wonderful people and everything should go just fine. Trust your instincts. Keep diligent and alert. Don't take risks just to make a little more on the sale of your estate jewelry.

Selling your estate jewelry is not an everyday experience. Enjoy the adventure and learn some new skills. One very positive side effect of selling jewelry is you will learn how to evaluate jewelry. You will become a very wise jewelry buyer. Enjoy the journey.

Daniel Parisi

Diamond & Jewelry Broker, Gemologist




For more information check out http://mygemologist.com




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Jewelry Care and Cleaning Guide: How To Care and Protect Your Jewelry

Celebrating a Special Occasion with Jewelry!

Jewelry Care means being careful, how you store and and clean it!

How to care and protect Jewelry?

If your jewelry has value to you, it is valuable enough for you to want to take care of it. Jewelry Care means being careful you do no lose it as well as being careful how you store and clean it.

When you buy jewelry, any jewelry, from the most expensive fine jewelry to inexpensive costume jewelry, you buy it because it is beautiful. The gleam of the metal and the shine or luster and fire of the gems appeal to your aesthetic sense of beauty, based on what you can afford. The better the jewelry, the longer you want to wear it, perhaps even for rest of your life, and the longer you want it to have that like new glow, although some metals and finishes attain a warm patina with wear. What you don't want, however, is scratched or gouged settings and dull gems. Accidents can happen, but all too often the jewelry is damaged by carelessness or not taking the few moments necessary to tend to the jewelry.

In most cases, being careful is the only care jewelry needs. Some types of jewelry, nevertheless, need special care because the gems may be soft, absorbent, or fragile.

Keep in mind that the harder the gem and the higher it is on the Mohs scale of hardness, the more durable it generally is. At time, a hard gem with high or distinct cleavage is apt to be fragile and may break or cleave if it is struck at the right angle. Hardness therefore is not synonymous with toughness. A tough gem may be soft enough to be more easily scratched but it is less apt to break or shatter. These characteristics have pertinence in wearing, cleaning, and storing jewelry, and in remodeling.

Metals have similar characteristic. The purer the silver and gold, the more easily it can be damaged. Also, you must consider the combination of metal in settings with gem or gems. What may be perfectly good to clean a metal, such as sterling silver, may not be the best for the gems. You have to consider the jewelry as a whole, not as simply metal or gems.

These point are tied in with the third point: the care you take with your jewelry to protect it from loss, both when you are wearing it and when you put it away for safekeeping. All the care in cleaning and storing will not matter if you lose the jewelry. The care you should take in this sense involves the precautions you would take to make sure you do not lose something you like and enjoy. That common sense, and it is common sense whether or not the jewelry is insured, and whether or not it is valuable. The precautions you should take with any jewelry that you like and that means anything to you, in fact, are simple common sense.

- Protection of jewelry

First of all, think about what you do when wearing jewelry. Rings are good example of how common sense can prevent loss.

More Rings are probably lost through carelessness than any other type of jewelry, because they are more apt to be taken off when being worn than pins or necklaces, bracelets or even earrings. So, Precaution Number One, if you wear rings, is to wear them at all times, or be careful with them as you are with your money and credit cards.

Men and women, incidentally, tend to regard rings differently.

- Storing and cleaning jewelry

When you take jewelry off, all jewelry and not only rings, what do you do with it? First, you should have a good and safe place for it. Second, that place should keep the jewelry safe not only from loss but also from damage.

The worst place you can put it is in a jewelry box already filled with other jewelry all jumbled together, where it can become scratched or more seriously hurt. The best place you can put jewelry is in individual leather or cloth cases or bags that will protect each piece from being damaged by other pieces of jewelry. If you do not have separate boxes from the jeweler for each piece of jewelry, at least put each piece in an individual case of some kind and do not drop it casually into a jewelry box.

In most cases, a plastic bag is a good substitute for leather or cloth. Plastic, however, should never be used with pearls, opals, and ivory, which need air to retain their beauty. Plastic, nevertheless, does have an advantage for other jewelry in that you can easily see the piece of jewelry that is in the bag. This method, incidentally, is also good for costume jewelry, which can be scratched as easily, if not more so, than precious jewelry.

Cleaning is also important in retaining and restoring the beauty and luster of jewelry with and without gems. Even gold can discolor from soaps and perspiration. Silver can be especially prone to tarnish, although almost all American sterling silver jewelry is coated with rhodium, an element of platinum, to prevent tarnishing. Any other silver that is worn all the time rarely needs polishing either, since wear retards tarnish. It still may need cleaning, though.

In fact, any metal may need cleaning now and then to remove dirt, soil, or soap film, as may gems. There are, in general, four methods of cleaning jewelry. Although all are safe for cleaning precious metal and diamonds, all are not interchangeable and safe for all kinds of jewelry. These are the methods most commonly suggested and used, but be sure to read further for the exceptions and for the precautions you should take with specific metals and gems.

-Detergents Bath. Mix a mild detergent and warm water in a small bowl or cup. Immerse the jewelry, brushing the pieces with an eyebrow brush. Rinse the jewelry under warm running water, being sure to put the jewelry into a tea strainer or cheesecloth for safety's sake. Pat dry with lintels cloth. Do not use for soft gems or foe any jewelry that is strung, such as ivory or pearls.

- Cold water soak. In a cup or bowl, combine half cold water and half household ammonia. Put the jewelry in and soak for 30 minutes. Do not leave it overnight or for a long period of time. After 30 minutes, remove the jewelry and gently clean the front and back of the setting, if necessary, with an eyebrow brush before swishing the jewelry in the solution again and draining it dry on tissue. Do not use soft gems or any jewelry that is strung, such as ivory or pearls.

- Quick dip. Commercial jewelry cleaners generally employ the quick dip method. Since cleaners vary, you should read instructions carefully and follow them to the letter. Do not use cleaners on nay jewelry not specifically mentioned unless you check with a jeweler first.

- Ultrasonic cleaners. You will find several of these small machines on the market. In general, the principle is that of using high frequency turbulence to clean jewelry soaking in a metal cup of water and detergent. Again, be sure to read and follow the directions with the utmost care and do not use the machine on any jewelry not specifically mentioned. Not all jeweler, feel these machine are safe even for diamonds. Before buying one, therefore, be sure to check with your jeweler and get his advice.

These then are the common methods in general. Specific metals, and gems, require specific care. The methods described below are safe for the specific metals and won't harm most gems. Keep in mind, though, that some gems need special care. Whenever you have any doubt about cleaning jewelry, be sure to consult your jeweler.

1) Copper

Copper will tarnish like silver in presence of moisture and sulfur. In most cases, however, a lacquer is baked on to prevent the jewelry from tarnishing. To clean copper, use any commercial cleaner that specifies it safe for copper. Do not use ammonia, which can erode copper.

2) Gold

The lower the number of karats, the more gold will discolor due to the higher percentage of base metals in the alloy. Mild soap, water and ammonia will remove the discoloration with ease.

One theory goes that you can prevent gold from leaving black mark on the skin by spraying the gold with hair spray. All you actually doing is adding a substance that can add to the tarnish. Keeping gold clean is the best way to avoid skin discoloration. In any case do not use hair spray on any gold with gems.

Gold-filled. Remember, the character of gold filled jewelry is the same as the karat gold that makes up 1/20 of the total weight, except that the jewelry will not last as long as the same jewelry in solid karat gold. Gold-filled jewelry can be cleaned the same way as karat gold, with mild soap, and a drop of ammonia.

Rolled gold plate. Rolled gold plate may contain less gold than rolled gold, but it should be cleaned the same way as gold-filled and karat gold jewelry.

Gold electroplate. Although the layer of gold deposited by electroplating may be 7 to 100 millionths of an inch thick, good gold electroplate can wear as well as rolled gold. It should be wiped clean regularly with a damp, soft cloth, and a mild soap and water solution may be used to remove any makeup. Do not use a treated cloth to clean gold electroplate.

Gold-washed or gold-flashed. Jewelry finished in this manner contains very little gold. The surface layer, in fact, is so thin that it may be negligible and wear off after a few times of being worn. Any cleaning, and particularly any rubbing, any remove the finish entirely.

3) Silver

Any commercial silver cleaner or silver cloth will touch up and clean silver jewelry. Soap, water, and a drop of ammonia will also clean silver that is very lightly tarnished or may just need cleaning to remove makeup and perspiration.

Silver-filled. Clean silver-filled jewelry in the same way as sterling. The older the jewelry, however, the more permanent the patina will be. Such a patina cannot be removed.

Silver plate (or silver electroplate). Silver plate, unlike gold, can last for years and can be cleaned in the same way as sterling silver. It can be re-plated, if necessary, although re-plating is more common in silver tableware than in jewelry.

4) Combination metals

Metals, including precious metals, are sometimes combined with other metals and with enamel. Be very careful in cleaning the metal that you don't clean off the inlay or enamel. The same caution holds true for vermeil, which is sterling silver with karat gold electroplate. If you must rub, rub very gently with soft cloth.

5) Gems

Some gems need special care. That care includes both cleaning and storing gems. Be particularly careful with:

Amber. Amber is the softest of all gems and will be scratched by all other gems. Be careful in wearing it and always store it by itself. It darkens gradually with age and exposures to light and should be kept in a cloth or leather bag case.

Never use a rough clothe or clothe that may have dirt, dust, or grit on it to clean amber because of its softness. Never use acid to clean amber or wear amber when working with acids since acid will decompose amber. Alcohol and other solvents do not normally affect amber, however, unless it is exposed to them for a long period of time. For this reason, be careful not to leave amber in any cleaning solution, except very briefly. Hair spray and perfume can also affect amber.

Coral. Coral is relatively tough. Be careful with twig coral in both storing and wearing, since the thinner the twigs the more easily the coral can break. Remember, coral is not a mineral and its luster may be spoiled by preparations used to clean other jewelry.

Diamonds. Diamonds should be kept apart from other gems to avoid scratching the other gems. This rule holds true for both storage and cleaning. One expert suggests boiling diamonds for 10 minutes in soap, water, and ammonia to clean them.

Ivory. Wash ivory carefully in soapy water, drying it with a damp cloth. Never soak ivory in soap and water, however, since soaking can cause it to crack or break. If you are cleaning ivory beads, do not get the string wet because the string will stay wet and can affect the beads. Do not use commercial jewelry cleaner or acid.

Ivory darken with age. It can be bleached by sunlight or peroxide. If peroxide is used, do not soak the ivory in it, and avoid wetting any string with which ivory beads are strung with the peroxide.

Keep in mind that ivory is permeable and relatively soft, factors tending to make it contract or shrink in cold and expand in heat. The combination of temperatures, along with soaking and drying out, can lead to the cracking of the ivory. Wiping it carefully with a soft, damp cloth, therefore, is probably the best method of cleaning ivory.

Jet. Jet, although tough, is soft and should never be kept with other jewelry that can scratch it. Scratching diminishes its polish and lessens its value to collectors.

Lapis Lazulli. Despite its softness, Lapis Lazulli wears well and is popular for men's jewelry and especially men's rings. Even though it may scratch, the scratches are not difficult for a good jeweler to polish out.

Malachite. Malachite is soft and is not tough like jet. It breaks easily and should be worn with care. It also scratches easily, losing its polish. Be careful wearing it next to your skin, which can turn malachite dark or black.

Moonstone. Moonstone's softness means that it needs care. Moonstones should be kept by themselves and cleaned carefully with only a very soft cloth and soap and water.

Opals. All kinds of opals are fragile and require care, the most care of any other gem. The polished stones are usually thin and may crack or craze. One cause may be extremely cold weather, indirect sunlight, in hot dishwater, or when handling frozen foods. Cold weather may also cause opals to shrink, which means they can fall out of the setting. Because of their softness, they are easily scratched and may absorb dirt or grit, another reason for avoiding dishwater and being careful in cleaning them.

Opals contain water, sometimes as much as 10%. Thus, they may dry out. For this reason, some experts suggest leaving them in water, in a mixture of water and glycerin, or in mineral oil to keep them from drying out and losing their fire, whenever they are not being worn. Use only a mild soap solution and a soft cloth to clean them. Never put opals in plastic bags, commercial jewelry cleaner, or acid.

Pearls. Both Oriental and cultured pearls are genuine pearls and need a certain amount of special care. Cosmetics (including hair spray), dust, dirt, and particularly perspiration can affects pearls. They should be wiped carefully only with a soft clothe after wearing and kept in satin-lined box, never in a plastic bag. Because their softness, cars should be taken not to scratch them. Pearls need to be worn and allowed to breathe. Do not use commercial jewelry cleaner or acid to clean them.

Peridot. Peridot scratches easily and tends to lose its polish. It should be stored and worn carefully but no special cleaning is necessary.

Topaz. Topaz should be kept in dark, literally. The gems tend to fade or pale in light, and some yellow-brown topazes on display in museums have turned clear after several years. Remember, too, it cleaves easily. It does not require special cleaning methods.

Turquoise. Since turquoise is very porous, it will absorb all sorts of impurities, especially if it is exposed to dirt and grease, such as in working in the yard or in washing dishes.

Turquoise tends to change color with age. It may lighten, darken, or streak. According to an old wives' tale, burying turquoise in dirt restore the color, but the advice does not say for how long or what amount of dirt might be absorbed. You are probably better off learning to appreciate the change in color.

Never expose turquoise to ammonia, which will spoil the surface by pitting or spotting. Jewelry cleaner and acid will also injure or destroy turquoise.

To sum up, one of best methods of cleaning jewelry is simply to use mild soap, water and a drop of ammonia, even though ammonia should not be used with certain gems. Commercial jewelry cleaners are also available at fine jewelers, and these are safe, too, for most, but not all, jewelry. Be surer to read the directions on any commercial cleaner carefully and to follow them.

When in doubt about cleaning any jewelry, ask your jeweler what he would suggest. Remember, a watchmaker is not a jeweler. For expert advice and help, you need a jeweler who knows metal and gems, because in some cases you may be better off bringing the jewelry into the jeweler's for cleaning.




The article above can be used on your web site or newsletter.

When it is published, may I request that you include my name and resource box (the bio, contact and copyright information) that follows the article. I would also appreciate if you could send me an email of notification along with a complimentary copy of the publication.

Copyright 2005 Bijan Aziz.

Bijan Aziz is the owner and Web Master for The Jewelry Hut

http://www.thejewelryhut.com

The best source for fine Diamond, Gemstone, and Pearl Jewelry on the web.




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What Makes Handmade Jewelry Handmade?

Men and women have adorned themselves with handmade jewelry since long before the age of reason. Garlands of flowers, bracelets of woven grass, shells, and stone; such were the first decorations to beautify the human body. We may have been wearing jewelry as far back as 75,000 years ago -- 30,000 years earlier than previously believed -- according to a recent report by National Geographic News.

Over the millennia, jewelry styles and materials have evolved in step with the advances of civilization. From the Stone Age to the Bronze Age, from the Iron Age to the Industrial Revolution (and seemingly back again!), styles have transformed, modernized, and then often returned to their most basic forms and essential elements.

Today, jewelry is primarily machine made, allowing manufacturers to produce uniform jewelry designs much more economically than traditional handcrafting and hand-casting techniques allow. Casting machines now quickly process into uniform molds such components as metals, plastics, and resins, allowing even complex jewelry designs to be produced with speed and uniformity. Mechanical punch presses and forges, likewise, are also commonly employed in the jewelry manufacturing industry today, to help ensure the production of a consistent, highly profitable product.

In the past decade, however, the modern marketplace has experienced a resurgence of interest in handmade jewelry, and a greater value is again being placed on unique and limited edition jewelry designs, made by hand with ancient crafting processes.

With this renewed demand, jewelry artisans the world over are enjoying improved sales and recognition for their talents and skills. Many specialty galleries -- and even major department stores -- now feature an increasing array of handmade jewelry. With the advent and spread of the Internet as a sales tool worldwide, many international jewelry artisans, even located in remote regions, are also enjoying the benefits of direct sales to distant customers.

Novica hosts the largest handmade jewelry marketplace on the Internet, featuring some 15,000 unique designs, direct from master artisans in Africa, Asia, and Latin America. Regina Bimadona, director of Novica's regional office in Bali, herself a jewelry artist, works closely with master jewelers in Bali and Java, helping them bring their collections, and the unique stories behind those collections, to appreciative customers worldwide. Bimadona specializes in assisting jewelers who still create limited-edition collections with traditional, handmade techniques.

In the following interview, Bimadona outlines the basic differences between handmade and mass-produced jewelry, and the benefits of and drawbacks to both handmade and machine-made techniques.

CG: What makes handmade jewelry truly handmade?

RB: Handmade jewelry is crafted by hands, instead of mechanically made with machines. Handmade jewelers use old metal-smith skills, simple tools, and a broad variety of techniques to create their desired forms and shapes. In handmade jewelry you can often observe each item's uniqueness, its dissimilarity from similar pieces. You can also usually sense the cultural individuality, meaning, and even history behind many such designs, even if such information is not provided along with the jewelry. Handmade jewelry techniques require considerable concentration, time, skill, creativity, and dedication. This is often clearly recognizable in the finished piece, making fine handmade jewelry stand out from mass-manufactured, uniform items.

CG: Are there other ways buyers can tell the difference between truly handmade jewelry, and mass-produced jewelry that might at first glance appear handmade? For example, some of the jewelry that we find in large department stores today may appear "rustic," but that does not necessarily mean it is actually made by hand.

RB: You will find that true handmade jewelry is typically not identical to other pieces of the same design. It is often easiest to examine jewelry that has considerable decoration -- many aspects. Examine each individual component; you can often clearly see how they are attached and constructed. Mass-produced or machine-made jewelry typically looks more rigid and uniform. Some handmade, traditional-style jewelry appears less perfect than machine-made jewelry, although high quality handmade jewelry should nonetheless be made to last, and this should be apparent in the details. Perhaps surprisingly, I have found that machine-made jewelry often breaks more easily than well-made handmade jewelry. Much of the mass-produced jewelry sold today as "handmade" may indeed be handmade, for example in department stores, but that does not necessarily mean it is of the highest quality. Mass-production facilities typically require artisans to meet efficiency quotas that result in poorly made jewelry, made with cheaper materials -- even if it is technically made by hand. I recommend looking for handmade jewelry that is not mass-produced -- not available in large quantities. High quality handmade jewelry often has an artisan's name and reputation proudly attached to the finished product. Fortunately, quality and uniqueness are typically apparent to the careful observer.

CG: What are the benefits of purchasing handmade jewelry, rather than mass-produced jewelry?

RB: Handmade jewelry offers the pleasure of unique, often rare designs, that are not-identical, typically made by a true artist -- with great love and passion. Jewelry is an art form. I truly believe this strength of feeling comes across in the design process, and in the finished jewelry itself. Mass-produced items simply have less soul. I believe that handmade jewelry also better reflects the wearer's personal touch and style, expressing individuality and interest. To wear mass-produced jewelry, of a common style, to my mind lends the wearer the appearance of being somewhat mass-produced. Mass-produced jewelry can indeed be less expensive to purchase, because it is certainly less expensive to make, but it is not necessarily less expensive to purchase. Regardless, mass-produced jewelry usually brings with it no special meaning or history -- no story, no life. When you wear beautiful handmade jewelry, it is a pleasure to be able to explain to admirers the actual story or history behind what you are wearing, or information about the artist, which is often possible with handmade jewelry bought from individual artisans or their representative galleries. Above all, it is simply a joy to wear jewelry that someone has personally and lovingly created by hand.

CG: Who are some of your favorite handmade jewelry artisans, in your region of the world, and why?

RB: Wayan Sarjana is one of my favorite jewelry artisans in Bali. He has a wonderful personality, in addition to his high quality handmade jewelry. His designs are lovely, his prices are affordable, and his creativity is endless. Locally, Mariella, Priyo Salim, Agung Pribadi, Janice Ripley, and Zayd are a few other personal favorites. Fortunately, they have all agreed to participate on the Novica Web site, along with many of our other finest artisans here, so I have the honor to assist and represent them now. Each of their biographies, and collections, are included in the Novica Handmade Jewelry department, where you will find detailed explanations as to why I admire and recommend these jewelers so highly, as well as other favorite jewelers and artisans.

CG: What inspired you, personally, to learn to make jewelry by hand? When did you begin? What style do you prefer, and what materials?

RB: My background is in art and design. It has always fascinated me to work with my hands -- to let my soul, my mind, and my body link together in the process of making something new and exciting. I enjoy having private conversations with the materials I work with -- to play with these materials within my imaginary space, and to see the evolution and transformation of various components into a new form of existence. It is exciting. Many new ideas and silent conversations begin flowing during the making of any sort of art, including jewelry. I began creating jewelry in 1988, while studying at the Indonesia Art Institute. Then, I often visited a friend's jewelry studio nearby, and that is where I began to learn this art form. A few years later, when one of our big Indonesian magazines held jewelry design competitions, I entered, and twice was a finalist in their competitions, in 1990 and 1991. I enjoy creating both contemporary and traditional styles. I enjoy working with many materials, including sterling silver, gold, copper, wood, leather, bone, amber, and especially natural gemstones and pearls.

CG: Do you still have time to make handmade jewelry these days, or are you too busy with your managerial work?

RB: I wish I had more time to make handmade jewelry today! I am so busy with Novica. Fortunately my Novica work revolves around what I love most. I spend my days meeting with our region's most exciting master artisans and jewelers. Also, because of my personal expertise with art, including handmade jewelry, I can frequently offer helpful business suggestions to the artisans with whom I work, which brings me great personal satisfaction. I do also continue to make a few jewelry designs of my own, and I continue collecting materials, especially gemstones and pearls, for some new jewelry collections I have in mind. Jewelry is such a passionate aspect of life. I enjoy every minute of my work, whether working as a designer myself, or helping others who are dedicated to this beautiful and artistic way of life.




Catherine Gallegos serves as editor-in-chief of Novica (part of the National Geographic family), a retail site featuring the handmade creations of artisans worldwide, including handmade jewelry.




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Celebrating a Special Occasion with Jewelry! How to Buy Jewelry? (Part I)

Nothing more personal than our response to color. Color is the new language of passion, and nothing captures it better than distinctively styled jewelry.

Leave her speechless with our brilliant colorless and fancy colored diamond or bold brilliant gemstone jewelry styles.

Celebrating a Special Occasion with Jewelry!

How to Buy Jewelry? (Part I)

The concept of jewelry implies fashion, ornamentation, and adornments. But jewelry is much more than just that. It reflects your personality and shows what you value in life. It defines your style through colorful stones and gems jewelry.

Colored precious gemstone jewelry is the latest fashion. Colored gemstones are worn in rings, earrings, necklaces, pendants, and bracelets by every one. If you like to own an exceptionally beautiful and exclusive piece of jewelry, you should only consider gemstone jewelry. A piece of colored gemstone jewelry will distinguish you as a class apart from the crowed that wears gems like diamonds. The best way to go around shopping for a special kind of jewelry is to go to the Internet, look at the exquisite designs of colored gemstones or diamonds on white or yellow gold jewelry and select the one that matches your style.

· You are looking at gems and are shown, or viewed one on Internet, an evening Emerald, at a price much lower than what you would expect to pay for an Emerald of the same size. Would you buy the emerald and would you know what you are buying?

· You are admiring a piece of gold jewelry and are told it is 14 Karat gold. Do you know what marking to look for to make sure it is solid 14 Karat gold and not rolled gold, gold electroplate, or gold wash? Do you, in fact, know what 14 Karat and other terms Mean?

· You notice that brooches (or Pins) are the latest fashion in jewelry and are being shown in all fine jewelry stores as well as online jewelry stores. Do you know which you would buy and which might be the better buy, regardless of what you can afford?

· You are cleaning an opal ring, a pair of diamond earrings, and a string of pearls. Do you know the best way to clean them and would clean them together or separately? Also, how would you store them after cleaning?

· You want to buy a diamond ring. Would you look for a fine jewelry store or a fine online jewelry store where the each jewelry piece are clearly marked to show price and quality, a store offering a sale o diamonds, a store where you might be able to bargain for a lower price, or even a store offering of a packet of diamonds at a wholesale price? For that matter, do you know what the four Cs of diamonds are?

These are only a few questions about jewelry that are answered at The Jewelry Hut.

· An evening Emerald, for example, is not an Emerald but any green stone of Emerald color.

· All Karat gold jewelry in the United States and some other countries has to be marked to show its quality, according to law. The term "Karat" refers to the amount of gold used in proportion to another metal or metals.

· Another term for costume jewelry is fashion jewelry, and it can be the better buy for high fashion designs that you may tire of or may go out of fashion in a year or two.

· Certain gems and types of jewelry require special care in cleaning and should not be stored together or in the same way, since may become scratched or lose their luster or color.

· In buying fine jewelry, there are few, if any, bargains: You get what you pay for. Clarity, color, cut, and carat size are the four Cs of diamonds, determining the quality and cost of any diamond.

How to buy jewelry is only the beginning of what you need to know about jewelry.

When you buy a car, you buy the one you like and can afford. The purchase is emotional as much as it is practical, since cars in some way are extensions of ourselves. In addition, you know what you are buying, especially if you buying a well known brand luxury car. There may be features, in other cars that resemble or imitate the best of the best, but the genuine article is usually unmistakable. You know what to look for, what to expect, about what you are going to pay, and even where to go buy the car.

Fine furs have more of a mystique than the average car and they may seem more risky to buy. Yet, with time and patience, you can learn to differentiate among furs and to distinguish fine furs from inferior furs. Granted, you will never have the expertise of the experienced furrier, but you will be able to learn the difference between mink of an inferior quality. In short, you can easily learn what to look for, what to expect, about what you are going to pay, and where is the best place to buy the fur.

Both an expensive fur and a fine car are far more than purchases to keep you warm and provide transportation. They are also luxuries and status symbols. At the same time, the primary reason for the purchase is practical, you buy the car to drive and the fur to wear. You do not consider either an investment that appreciates in value. The criteria are that you like what you buy, that you have a use for it, that you can afford it, although you want to get the most for your money.

Jewelry should be bought the same way, regardless of whether it is fine jewelry of Karat gold, platinum, or silver, has precious gems or not, or whether it is costume jewelry. Even fine jewelry, which is a luxury item and can be as much as a status symbol as a sable coat or a Rolls-Royce although far more permanent and enduring should be bought because you like it, can use it, and can afford it. Jewelry after all, is a form of adornment and decoration.

One criterion you do not want to use for jewelry, any more than you would use it for buying a car or a fur, is whether the jewelry is a good investment or not. Some Jewelers, who are reputable and reliable in other respects, offer jewelry as "an investment." Fine jewelers. In general, however, prefer to point out that jewelry is not really an investment except in beauty. Jewelry, in fact, is a purchase, just like a fur coat or a car. You should appreciate it, of course, although appreciation in that sense is not the same as the appreciation of increase in value of an investment.

What you should buy in fine jewelry, particularly platinum and karat gold, depends on you, your life style, and your preferences. You may be a woman who does not feel dressed without earrings, in which case you may want gold or diamond earrings that you can wear often with enjoyment. Or you may be a man or woman whose taste runs toward rings. A necklace, pendant or a bracelet could also be indispensable.

In any case, shop around. Look at styles and prices before you buy. Get an idea of what jewelry costs and how that compares to what you have to spend. Once you see an item you like, check its price against the prices of similar items in other jewelry stores or online stores. The major purpose is to give you an idea of value and to help you be satisfied, in all respects, after you have made the purchase.

Look in jewelry stores and the boutiques and the better online jewelry stores that often carry fine jewelry. But do not look for or expect or wait for sales. The finest jewelry stores rarely discount fine jewelry. If a style does not sell, it is more profitable for them to melt down the metal and reset the gems than it is for them to sell at a big discount. In this respect, fine jewelry is like no other luxury purchases, since the components can be reused.

Stores other the finest jewelry stores (or online) may offer jewelry at a discount. It may be a style that has not sold well, or the stores may be willing to make less profit or their overhead may be less. These are legitimate reasons to discount the price of a fine jewelry. If the discount is much over 25%, however, you should ask, "80% or 50% off of what price?" Despite laws prohibiting misleading advertising and the stand of reputable jewelers' associations against it, there are still fraudulent advertising and selling practices going on.

For this reason, you want to read the part two of this article, about "How to buy fine Jewelry?" To understand what are the kinds of jewelry.




To Web Masters:

The article above can be used on your web site or newsletter.

When it is published, may I request that you include my name and resource box (the bio, contact and copyright information) that follows the article. I would also appreciate if you could send me an email of notification along with a complimentary copy of the publication.

Copyright 2005 Bijan Aziz.

Bijan Aziz is the owner and Web Master for The Jewelry Hut http://www.thejewelryhut.com The best source for fine Diamond, Gemstone, and Pearl Jewelry on the web. You can view the this article at The Jewelry Hut Jewelry Archives: http://www.thejewelryhut.com/html/newsandpressrelease.html




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